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Joaquin Phoenix reprises his role as the iconic villain in Joker: Folie à Deux

Joaquin Phoenix reprises his role as the iconic villain in Joker: Folie à Deux joined by the electrifying Lady Gaga in a sequel that dares to take bold creative risks, blending psychological drama with unexpected musical flair.

LATESTUK / INTERNATIONAL

9/29/20243 min read

Joaquin Phoenix reprises his role as the iconic villain in Joker: Folie à Deux, joined by the electrifying Lady Gaga in a sequel that dares to take bold creative risks, blending psychological drama with unexpected musical flair.

A Bold Evolution of the Joker Mythos

The first Joker film captivated audiences with its gritty portrayal of Arthur Fleck’s transformation into Gotham’s most infamous criminal, but it left some wondering: when would we see him fully embrace his Joker persona? In Joker: Folie à Deux, rather than diving headfirst into typical comic-book villainy, Todd Phillips and co-writer Scott Silver take a fresh and daring approach. Instead of rushing into the expected heists and showdowns with Batman, they offer a deeper exploration of Fleck’s fractured psyche, once again subverting audience expectations and expanding on the character’s emotional complexity.

This focus on Arthur’s internal world—set largely within Arkham Asylum—gives Phoenix another chance to showcase his mesmerizing ability to blend vulnerability with menace. The film leans into a surreal, almost dreamlike atmosphere that reflects the turmoil of Fleck’s mind. Rather than following a conventional plot, Folie à Deux invites viewers into the chaotic world of a man grappling with his identity, giving us a rich psychological exploration of his descent.

Lady Gaga Shines in a New Take on Harley Quinn

A standout in this ambitious sequel is Lady Gaga’s performance as Lee Quinzel, a unique reimagining of the Joker’s notorious partner, Harley Quinn. Gaga brings her signature charisma and emotional depth to the role, portraying Quinzel as more than just a sidekick—she’s a catalyst for Fleck’s reawakening. As a devoted admirer who helps him embrace his Joker persona, Gaga’s Quinzel adds a compelling layer to the story, injecting both vulnerability and intensity into her scenes with Phoenix.

Her presence also fuels one of the film’s most surprising elements: the musical sequences. These moments, where the characters escape into elaborate song-and-dance numbers, offer a glimpse into their shared fantasies, providing a striking contrast to the grim realities of Arkham Asylum. Gaga’s powerhouse vocals shine as she belts out classic American standards, adding an unexpected yet delightful twist to the film's dark undertones. And while Phoenix’s singing may not be as polished, it serves to underline his character’s raw, unhinged nature.

A New Kind of Comic-Book Sequel

What sets Joker: Folie à Deux apart from typical superhero or villain films is its refusal to conform to genre norms. Rather than focusing on elaborate criminal plots or flashy action sequences, the film chooses to explore the psychological tension between Arthur Fleck and his alter ego, the Joker. This is further complicated by a court case that debates whether Fleck and the Joker are two separate personas, adding layers to the character’s already complex psychology.

Phillips doesn’t just deliver a sequel—he crafts a film that plays with audience expectations, challenging us to see Fleck not as a criminal mastermind but as a man deeply disconnected from reality. Even the courtroom scenes, where Gotham’s district attorney (played by Harry Lawtey) debates Fleck’s sanity, introduce intriguing elements from the Batman universe, such as the future Two-Face, Harvey Dent. These nods to the larger world of Gotham give fans plenty to appreciate without overshadowing the film’s intimate, character-driven focus.

A Dreamlike Descent Into Madness

The real strength of Joker: Folie à Deux lies in its willingness to blur the line between reality and fantasy. The film’s setting in Arkham Asylum, with its bleak hallways and haunting interactions between Fleck and his fellow inmates, mirrors the descent into Fleck’s mental instability. Brendan Gleeson and Steve Coogan make memorable appearances as an asylum guard and a TV reporter, respectively, helping to ground the film in moments of dark humor and tension.

The musical sequences, while unconventional, serve as windows into the Joker and Quinzel’s shared fantasies, adding layers of emotional depth. Instead of simply being entertaining interludes, they reflect the characters' inner desires and highlight their tragic disconnect from the world around them. Gaga and Phoenix’s chemistry during these numbers is palpable, giving us a unique look at their twisted bond.

A Daring, Thought-Provoking Experience

Joker: Folie à Deux is not the action-packed crime saga some may have expected, but it’s a bold and innovative follow-up to Joker. Phillips continues to push boundaries by offering a film that is more interested in exploring the psyche of its characters than in traditional villainous exploits. By focusing on the Joker’s personal struggles rather than his infamous criminal antics, the film delivers a more introspective, thought-provoking experience.

For audiences willing to embrace its slower pace and psychological focus, Folie à Deux offers a rich, complex look at one of cinema’s most compelling villains. And for fans of Lady Gaga, her performance alone is worth the price of admission, injecting new life into the Joker mythos. Instead of falling into the trap of repeating the original film’s success, Folie à Deux dares to be something different—an artistic, layered exploration of madness, identity, and the human condition.